Thursday, March 15, 2018


"In the Olympia film, Leni Riefenstahl added a human component to Adolph Hitler's portrait. In the party films (Triumph of the Will), she had portrayed him as a Furhrer who stood apart from all others, but in Olympia, she played up his affable side. He watched the events through his binoculars, chatted with neighbors about the competitions, fretted about major decisions, and grinned when the Germans won. It was somewhat odd for the German chancellor to show up in uniform at a peaceful event designed to promote understanding among nations, in the Olympia film Hitler played the dictator who knew how to behave himself."-Karin Wieland, Dietrich & Riefenstahl: Hollywood, Berlin and a Century of Two Lives

"With Olympia, Riefenstahl had succeeded in making an overly political motion picture that is still considered one of the finest sports films ever made. Olympia set new benchmarks for cinematic sports coverage."
-Karin Wieland, Dietrich & Riefenstahl: Hollywood, Berlin and a Century of Two Lives


There is a lot to unpack in watching Olympia now. We have a real artistic vision here from director Riefenstahl, connecting the 1936 event to ancient days of competition through a series of images like the one above. We then have the competition among athletes with everyone rooting on their own country, whether USA, Japan, Britain, or the hometown Germans. I found myself becoming interested in the results of the competition, though most if not all these athletes are long since passed away.

Jesse Owens winning Gold Medals is what many remember most from this Olympics, but I also liked watching many of the other events, many enhanced by Riefenstahl's intense and glaring camera. The drama of the Marathon was a particular favorite of mine

But despite getting into the competition, the political component of the film is what people may get out of it now. As mentioned int the quote above, Hitler and those in the Nazi party are background figures, seemingly just humbly rooting the Germans on to victory...but we all know there is disaster for the world on the horizon. -Chris Cox, 1001: A Film Odyssey

Saturday, March 10, 2018


Triumph of the Will

Triumph of the Will was conceived of as a lasting document, and it certainly has become one. Director, Leni Riefenstahl's images continue to have a powerful impact to this day. Excerpts and stills from Triumph of the Will are shown again and again to show the relationship between Hitler and the Germans."-Karin Wieland, Dietrich & Riefenstahl, Hollywood, Berlin, and a Century of Two Lives.

Leni Riefensthal's documentary Triumph of the Will was commissioned by the Nazi Party and filmed at the Nazi Party Congress in Nuremburg and included excerpts of speeches from high ranking Nazi officials as well as showing off the power of the Third Reich and how the people so gleefully (at least that's the way it was presented) accepted them. Understanding that Triumph of the Will is a propaganda piece, the film still is a record to a horrifying moment in time that needs to be seen.-Chris Cox, 1001: A Film Odyssey

Monday, March 5, 2018


The needs of the old and the young
in Pather Panchali

"Satyajit Ray's inspiration was primarily European, but he brought to his work qualities that were wholly his own. Trained as an artist and self-taught as a composer, his artist's eye and his composer's sense of rhythm lend grace to his films, while his warm, watchful compassion embraces all his characters good or bad."-Philip Kemp, 501 Movie Directors

In Pather Panchali, Ray's first film of three that would later become know as The Apu Trilogy, we see the world through the eyes of different generations of an Indian family: the elderly aunt, the poetical dreamer and his more realistic wife, and their son and daughter (Durga and Apu). The family experiences hope and occasional glimpses of happiness, but much of the movie focuses on hardship and death. It seemed at first glance a simple work to me, focusing on the mundane to tragic events of their life in the village, but the seeming simplicity speaks to truth in a manner that has many layers and makes this a film I definitely need to watch again. The movie also benefits greatly from the musical score of Ravi Shankar.-Chris Cox, 1001: A Film Odyssey

Wednesday, February 28, 2018



"Alexander Dovzhenko's ode to the beginning of collectivization in the Ukraine is a riot of delirious imagery of swaying wheat fields, ripening fruits, and stampeding horses. The arrival of a tractor is greeted with joy by the peasants who begin to imagine new lives for themselves, but surviving landowners try to assassinate the inspiring young head of the party's village committee. His death, though, only makes the viallagers stronger in their resolve; in a mind boggling finale, Dovzhenko brings together themes of birth, harvest, progress and solidarity as the dead man is reunited with the land he loved so well."-Richard Pena, 1001 Movies You Must See Before You Die

Workers of the have nothing to lose but your tractors...but if you lose your tractors, you lose your means of production...and if you lose your means of production, you lose your livelihood and if you lose your means of may lose your life. This is collectivism at it's most inspirational, comrades. I first saw this movie thirty years ago and it is a powerful silent piece regardless of your political point of view.-Comrade Cox, 1001: A Film Odyssey

Chess Fever

After all the heavy films of the Soviet silent era, I decided to end the with a comedy called Chess Fever. This is a funny short film about a man whose addiction to chess is causing all sorts of problems between him and his fiance. Many of the gags are well done and it speaks comically to the Russian obsession during this period (and still today) with the game. It even features a supporting role for the then current World Chess Champion Jose Raul Capablanca!-Comrade Cox, 1001: A Film Odyssey

Until next time, comrades!